Official film image from Blue Roof, Red Earth

HKAIIFF 2026 · Official film record

Blue Roof, Red Earth

Telhado azul, terra vermelha

Emerging Filmmaker AwardBrazil
Theatrical key art for Blue Roof, Red Earth

[ Film / Synopsis ]

A young filmmaker rebuilds her grandmother’s vanished house from roof tiles, soil rubbings, voice notes, and uncertain childhood drawings.

After learning that her grandmother’s rural house has been demolished, Iara returns with a backpack camera and a box of childhood drawings. Nothing remains except red soil, two blue roof tiles, and neighbours who disagree about where each room stood. She records their gestures, makes graphite rubbings from the ground, photographs clay models, and asks her grandmother to describe the house without correcting contradictions. Generated transitions move only between these handmade sources, suggesting walls that never become fully stable. A kitchen may open into the yard; a window changes height when another memory interrupts. The short film embraces those inconsistencies as evidence of affection rather than architectural failure. Working with a tiny team, Iara creates an animated documentary in which voice, paper, dust, and practical light carry more authority than seamless reconstruction.

For a resourceful first film whose handmade textures and restrained generative transitions turn incomplete family memory into confident cinematic form.International Jury citation
Director
Iara Montez
Production entity
Iara Montez
Entity type
Independent filmmaker
Country / region
Brazil
Runtime
28 min
Language
Portuguese
Format
4K mixed media · 1.66:1 · stereo mix
Genre
Mixed-media animated documentary
Completed
9 March 2026
Production window
7 months
Festival master / version
Festival master v1.1 · checksum locked

[ Named authorship / Principal credits ]

Creative team

DirectorIara Montez
ProducerMateus Coradin
AnimatorLuísa Barreto
Collage ArtistDavi Meire
EditorSoraia Nunes
Sound DesignerEnoque Paiva

[ Production entity / Profile ]

Iara Montez

Iara Montez is an independent Brazilian filmmaker working with family archives, hand-built objects, and mixed-media animation. Her compact process is designed around materials she can photograph, handle, and revise herself.

7 monthsProduction windowFestival master v1.1 · checksum lockedFestival master / version

[ 51% Standard / Assessed creative participation ]

58%

AI participation is assessed across the full chain of authorship, supported by journals, model logs, version histories, stems and finishing records.

Writing13/22
Direction10/18
Generation9/16
Editing9/15
Sound9/15
Finishing8/14

[ Capability record / 2026 signal ]

Where this film points

  • Hybrid capture + generation
  • Controllable cinematography

The film demonstrates accessible hybrid tools that let an emerging filmmaker extend handmade materials without losing their texture. It anticipates distinctive small films competing through authored surfaces rather than production scale.

The human boundary

The director and her family alone decided which contradictions expressed memory honestly and which images felt too complete to keep.

Official production still from Blue Roof, Red Earth

[ Kitchen Drawn in Soil ]

A graphite floor plan appears over red earth as neighbours point toward conflicting doorways. Blue tile fragments catch the late-afternoon light.

[ Production method / Documented workflow ]

How the film was made

The record distinguishes authored decisions, bounded machine operations and final human approvals across the production chain.

01Story system

Iara organised memories by speaker, object, and disagreement, using simple comparison tools without allowing them to resolve contradictions.

02Performance

Family and neighbours spoke naturally and demonstrated remembered spaces with their hands; no contributor voice was replaced.

03Image

Soil rubbings, drawings, clay rooms, tile photography, and constrained transitions create an intentionally unstable house.

04Editorial

The director shaped rhythm from pauses and conflicting gestures, retaining rough edges where cleaner continuity would imply false certainty.

05Sound

Family voices, insects, footsteps, and recorded household objects form the score, supported by minimal restoration and spatial placement.

06Audit

The team archived permissions, drawings, object photographs, voice notes, generation settings, rejected reconstructions, and the final cut.

Expert Jury overall90.7
Artistic92.5
Technical90.4
Ethical89.6
Community91
For a resourceful first film whose handmade textures and restrained generative transitions turn incomplete family memory into confident cinematic form.

[ Records / Rights / Provenance ]

Reviewer-ready evidence

01Creative record

The record links each animated passage to its drawing, object, speaker memory, editorial choice, and retained contradiction.

02Rights ledger

Family voice, image, drawing, object, and location permissions define release scope, duration, attribution, and withdrawal procedures.

03Model record

Transition lineage, licensed source additions, image seeds, material references, constraints, and exclusions are preserved.

04Festival master

The delivery includes the picture master, stereo mix, subtitles, access files, source-material index, and checksum record.

HKAIIFF

Official laureate record · Record locked 23 July 2026 · Hong Kong

This laureate record is a forward-looking curatorial work of the HKAIIFF programme office, authored with generative systems.

© 2026 HKAIIFF Association