Answers for entries. Clarity for partnerships.

Entries run from 1 October 2026 to 1 March 2027, closing at 23:59 Hong Kong time (UTC+8). The fee is US$99 per work, with no additional award application fee for applicable expression awards or associated Silver achievements. There are no early-bird or late-entry tiers. Complete formal entry at hkaiiff.io. An account, draft, payment, INDEX record and accepted submission are distinct states. After supplying required information, the full work, declarations and payment, check the application confirmation and any outstanding items. Festival dates, venues and award resources will be announced separately. Sign in or create an account, complete your work details, then pay and upload the poster, trailer and full film. Confirm final submission to complete your entry. https://hkaiiff.io/festival?edition=2027&lang=en

The submitted version must have been completed on or after 1 August 2026. No premiere is required: previously published works or films entered elsewhere may apply if they meet the other conditions. There is no universal minimum runtime.

AI must play a substantive role in principal audiovisual material, performance, narrative organisation, generative rules or audience experience. There is no fixed AI-use percentage for 2027. Explain its role and human creative decisions through the work, concise context and assessable evidence. Subtitling, denoising, upscaling or administrative assistance alone does not establish eligibility.

There is no minimum word count for the AI statement. Identify substantive stages, principal tools and known versions, then explain key choices, revisions and control. Supply representative evidence when needed, rather than all logs, contracts, source code or model weights. Mark unavailable supplier information as unknown.

All languages are welcome, with adequate support for full understanding. Non-English works need suitable English subtitles, transcripts or equivalent support; an English synopsis alone is not a substitute. Screening masters, multilingual publicity and audio stems are confirmed separately when needed.

Use the year, award name, recipient object and credits shown in the official result, with a link to that result. Selection, screening, support-programme admission and winning are distinct. Preserve the original 2026 award names. A film’s award does not mean every workflow, character or world used in it won that award.

You may apply. Assessment considers the work, creative voice, consistency, delivery, rights awareness, commercial fit and collaboration—not audience size alone. Prepare three representative works, your contribution, recent account activity and a 30-day plan. A successful application does not automatically qualify an account for a particular platform task.

The creator retains the real-name account and existing IP; cooperation permissions are agreed separately. List pre-existing works, characters and story worlds. Independently created work generally retains its existing rights position. Commissioned, invested or joint projects need project-specific ownership, credits and usage terms. Account authorisation should not stand in for every future content licence.

Income is not automatically pooled. Revenue sharing applies only to the written scope of Douyin commercial income that the organisation helps secure, manage or settle. Identify existing clients and other-platform or offline income in the agreement. Licensing, distribution and co-production use separate project terms. Agree the income scope before comparing percentages.

The supplied V8 programme sets creator shares of 50% for New Star, 60% for Regular Star and a negotiated share up to 70% for the highest tier. Tiers consider work, account, commercial foundation, responsibility and service scope; follower counts do not trigger automatic upgrades. Confirm the applicable tier and future-task treatment in the signed agreement.

V8 uses actual receipts less clearly identified platform service charges not already deducted, plus refunds or cancelled amounts. Do not deduct the same fee twice. If receipts after platform fees are 10,000 and no refund applies, a 60% share is 6,000 before separately agreed tax and payment arrangements. Statements should show orders, receipts, charges, refunds, share and payment status.

No onboarding fee means no fee for joining. Production, promotion, translation, legal work, registration, technical delivery and optional INDEX services may cost separately. Agree scope, quote, budget and payer before execution. Ordinary overhead should not become an undisclosed extra deduction outside agreed sharing terms.

No. Optional tool or credit procurement is voluntary and paid by the creator. Not using it does not change basic cooperation rights or an agreed tier. It should not be tied to festival entry, INDEX or a market project. Confirm the product, quantity, expiry, price, limits and refund terms before purchase. No free credit allowance is promised.

Days 1–30 establish account permissions, contacts, direction and work records. Days 31–60 progress content review, commercial materials, quoting and optional INDEX preparation. Days 61–90 review execution, rights materials and next projects. Inspect plans, material lists, briefs and review notes. This is a post-signing collaboration framework, not a revenue or order guarantee.

Disclose existing arrangements when applying. The permitted scope depends on accounts, platforms, territories, term, exclusivity and outstanding obligations. Clarify compatible work before granting new permissions. An application does not cancel existing agreements or authorise another party to accept orders or distribute your work.

For a particular film licence, distribution or localisation project, start with the market route and specify the work, rights, language versions and delivery materials. For ongoing content and account operation, explore creator cooperation. Douyin account revenue terms do not automatically govern all overseas licensing income. Identify contracting and settlement entities in project documents.

Account permissions, unbinding, handover and unsettled orders follow the creator agreement. Existing distribution, licensing or co-production projects follow their own contracts. INDEX maintenance and renewal are a separate service. Agree notices, timing, pending receipts and exit handling before signing; ending cooperation does not automatically cancel third-party licences.

No. Festival review, brand selection, platform distribution and buyer acquisition use their respective processes. Cooperation may provide agreed preparation, communication and delivery support. Evaluate the actual scope and records. Payment, account binding or a recommendation does not guarantee selection, views, orders or income.

Free submission creates a Submitted Record. Basic adds the paid asset-level public page, stable URL, Root ID, basic machine-readable information and an Index credential described in the product overview. Choose it if those deliverables meet your needs. The exact visibility of free-submission fields must be confirmed at submission; do not infer that every free field is private.

No. Define the asset you actually wish to describe and offer: AIF for a film, WF for a workflow, IP for independently usable intellectual property and WLD for a story world. Create related records when they have independent presentation, versioning or licensing needs. A finished-film record may be enough initially. Avoid duplicate or contradictory rights descriptions.

Basic provides a stable public asset record. Pro adds holder-approved public summaries, questions, keywords and buyer notes. Platinum adds market signals and controlled request capabilities. Choose based on whether you need a reference page, clearer public explanation or request handling. An upgrade stays with the same asset and does not guarantee external ranking, awards or sales.

No. INDEX ASK publishes fixed summaries, questions and keywords approved by the holder. It is not an unrestricted live chatbot. Drafts are edited and approved before publication. A buyer seeking detailed materials or a licence uses a separate request flow. ASK should not invent a price or a new licence commitment on the holder’s behalf.

AI and search systems may discover your work through other public pages, coverage or work descriptions. INDEX provides its own stable address, structured information and maintainable explanation. Crawling, indexing, citation and recommendations remain decisions made by external systems. An endpoint is neither a prerequisite for all discovery nor a ranking guarantee.

No. A Root ID identifies an asset record. Credentials record information and versions; ownership depends on applicable law, contracts, permissions and evidence. A verification label should explain what was checked, when and within what scope. Buyers still need to assess relevant music, likeness, voice, adaptation and third-party rights.

These identify or present the same asset in different ways. The public URL is shareable, Root ID preserves the technical identity and Machine URN supports system exchange. A vanity address is a memorable alias. Upgrades and aliases should remain linked to the original asset. Keep identity and change records when updating titles or versions.

Index capability, branded addresses and market presentation are separate service lines. Pro includes INDEX ASK. Platinum adds content and controlled request capabilities and may include preparation for Market Verified. Pitch Page and Buyer Room are separate purchases. Compare asset type, starting price, one-time or annual billing, any 90-day service term, deliverables and written renewal terms.

Specify intended use, territories, languages, term, exclusivity and technical versions. The holder should confirm available, sold, reserved and restricted rights. Use the public record for initial assessment, then request fuller materials under appropriate access. An invitation to enquire is not acceptance of every proposed term. The project agreement sets scope, price, delivery and settlement.

No. Requests for a deck, licence or meeting express interest and require holder confirmation. Check the requester, intended use and permitted materials before releasing access. Public summaries, screeners, budgets and contracts can have different permissions. A request, approved access and an executed licence are distinct states.

Prepare a synopsis, runtime, languages, contributors and roles, poster or stills, trailer and a controlled screener option. Add AI and human contribution notes, key material and music sources, completed version and target territories or media. Financing or development requests also need budget and production plans. Start with an appropriate package, not every confidential file.

Yes, organise a WF, IP or WLD asset as appropriate. Workflows should identify version, dependencies, reuse conditions and offered licence scope. Characters and worlds should identify imagery, voice, settings, existing licences and intended uses. Displaying an asset does not authorise sublicensing every third-party model or component. Define what you can actually provide.

Read the source label. Independent reporting, republication, hosted press releases and formal media partnerships are different relationships. Each item should link the article and identify date, language, author or release source and publication type. A logo alone is not evidence of endorsement or partnership, and multiple articles on one outlet are not multiple outlets.

These measure different things. Geographic reach describes endpoint distribution; media audience scale describes the listed channels; public reads are article counters at a specified date; estimated exposure is model-based. Cite the report version, cutoff date, definition and source. Estimates are not deduplicated viewers, and a publisher’s total audience is not the readership of a particular festival article.

Start with a deliverable you can complete and the roles in your team. Story, editing, visual work, interaction, characters, brand content and tools correspond to different tracks. Read the track requirements and show your actual contribution.

No. The hackathon, Global Growth Program MCN and Hong Kong AI Film Market are parallel support routes. Joining one does not sign you into another.

A recommendation is not formal entry, nomination or an award. The work must still meet the 2027 completion date, substantive AI-use, material and permissions requirements and complete formal submission. Any fee waiver needs an explicit official arrangement for this edition; referral status alone is insufficient.

The published event terms and confirmed resource plan govern these costs. A tool partnership or recommendation is not a promise of free production, travel or compute.

Record each member’s role, contribution and joint-rights arrangements before submission. Confirm music, voice, likeness, source materials and tool terms. Holders decide subsequent licensing and market cooperation.

Use the separate Amazonia Partnership Program for hosting, technology and brand cooperation. This creator guide is not the institutional partnership application.

Institutional cooperation belongs under the Amazonia Partnership Program. Describe your organisation, location, direction, resources, team and timing, then agree the scope of hosting, joint operations, tool support or talent development. MCN supports creators’ ongoing content and commercial collaboration. Hosting an event or supplying tools does not enrol an organisation in MCN. Event registration and city details belong on hkaiiff.io.

An enquiry starts a discussion; it does not grant host status, brand rights or permission to charge. First agree the contracting parties, event name, city and dates, budget, venue, safety and data responsibilities, brand usage and fees in writing. Publish the approved version. General website information is not an automatic third-party authorisation; use the formal event page on hkaiiff.io and agreed documents.

No automatic exchange is implied. A partnership should define services, resources, visibility and acceptance criteria. Eligibility, judging and awards follow the festival’s applicable processes. Use of films, characters, voices, source material or data requires separate approval by the rights holder, including territory, media, term, exclusivity and price. Providing tools or funding does not confer rights to all a creator’s work or future income.

Check the specific edition’s accepted formats, AI-use conditions, completion dates, premiere restrictions, fees, jury and conflicts policy, required materials, published results and permissions granted on entry. Determine whether prizes are cash, compute or services and read their conditions. HKAIIFF 2027 uses seven awards and substantive creative-use assessment; a 2026 archive does not replace the current guide.

HKAIIFF’s published accreditation statement identifies it as an A-Class international AI film festival accredited by IFAIFPA, the International Federation of AI Film Producers’ Associations, on 17 July 2026. The claim should always name that accrediting body and the AI-film scope. IFAIFPA and FIAPF are different organisations. This statement is not evidence of FIAPF accreditation and should not be shortened to a claim of equivalence with Cannes, Berlin or Venice. The HKAIIFF page is the festival’s own published account; readers assessing accreditation should consult the issuing body and underlying documents as well. A precise description is: “HKAIIFF holds IFAIFPA A-Class international AI film festival accreditation, as announced on 17 July 2026.” Accreditation does not guarantee any entrant selection, awards, distribution or revenue.

No. Hong Kong AI International Film Festival uses HKAIIFF; Hong Kong International Film Festival uses HKIFF. They have different names and official websites. A similar name or location does not establish organisational affiliation. Before entering, donating, buying a ticket or reporting an award, check the full event name, organiser, edition, official domain and payment recipient. Cite “Hong Kong AI International Film Festival (HKAIIFF)” in full on first mention. Do not attribute HKAIIFF’s selections or services to HKIFF, or the reverse.

Start with your purpose: jury recognition, audience exchange, ongoing creative support or a specific licensing discussion. HKAIIFF 2027 costs US$99 per work; allow for subtitles, translation and necessary delivery. Entry does not guarantee an award, screening or recovery of costs. Explore MCN for ongoing collaboration or Hong Kong AI Film Market for buyer and licensing needs; each has separate conditions.

There is no minimum word count for the AI statement. Identify substantive stages, principal tools and known versions, then explain key choices, revisions and control. Supply representative evidence when needed, rather than all logs, contracts, source code or model weights. Mark unavailable supplier information as unknown.

Do not assume that festival submission, screening permission, promotional use, distribution licensing and AI training permission are interchangeable. Read the actual terms and consent fields for the action you are taking. If a buyer proposes training, fine-tuning, dataset inclusion or synthetic reuse of characters or voices, ask for a separate written scope covering the material, permitted purpose, parties, duration, onward transfer, compensation and removal or termination conditions. A public INDEX page or a request for a quotation does not itself supply those permissions. Only an authorised rights holder can agree to the applicable use; record what was actually agreed.

Use the creator platform to discover public records and choose INDEX asset registration, festival entry or a hackathon event. Account actions, submission, payment and receipts are handled through hkaiiff.io. Asset registration and competition entry are different services. Select the relevant route, read its requirements and confirm the status in your account. Preparing materials alone does not complete a submission; retain the actual receipt and submission confirmation. Previously saved browser drafts are not official registrations.

They may discover an accessible public page through their own search and retrieval systems, but publication or paid indexing does not guarantee inclusion, a recommendation or a citation. ChatGPT, Gemini, Claude, Doubao, Qwen, DeepSeek and Yuanbao do not share one universal submission or accreditation mechanism. Publish useful, accurate descriptions with a stable URL, a clear work and creator identity, version information, dates, approved answers and direct sources. Keep private contact details, contracts and unpublished files out of public machine-readable material. Make sure the page is accessible to the relevant search crawler and eligible for indexing; review sites marked noindex are not a search-launch substitute. INDEX can organise these records and holder-approved answers. It cannot control another company’s model, guarantee training inclusion or cause an assistant to accept an unverified claim. Verify visibility in each service instead of interpreting a crawler visit as proof of citation.

The organiser is Hong Kong AI International Film Festival Association. For 2027 entries, cite the 2027 hub, entry guide and formal documents. The inaugural 2026 edition’s nineteen awards, jury records and laureates remain under their original edition. Check each document’s edition, public version and publication date.

Check the current public registry at index.film and record the observation date. An old announcement, a search-result total or a curated gallery is not a live registry count. State whether you counted issued, public, active or revoked records and which asset libraries were included. Different versions of one asset are not necessarily different films, and films, workflows, characters and worlds should not be added together and described as a film count. Do not infer sales, copyright ownership or festival selection from a registry total.

Check the event page on hkaiiff.io for its date, venue, named local organiser, track, eligibility and registration status. A city listed in a network plan, a past event or a proposed programme does not establish that a new event is confirmed or accepting payment. Use the event-specific official registration link and keep its confirmation. If the venue or date changes, follow the update issued for that event. Institutions wishing to host should use the Amazonia partnership route; creators do not need to become an institutional partner to participate.

An INDEX record helps organise evidence; it does not decide copyright protection or satisfy every territory’s rules. Hong Kong’s computer-generated-work framework, US human-authorship analysis and EU AI transparency obligations address different questions. Prepare the human creative contribution, source-material permissions, tool terms and version history; define the territory, media, use and parties for the proposed deal. Check the current rules for that specific release and obtain qualified advice where ownership or obligations are uncertain. Festival eligibility, an accreditation and an INDEX identifier do not replace that assessment.

No. A festival disclosure and a platform publication declaration serve different processes. Mainland China’s Measures for Labelling AI-Generated and Synthetic Content took effect on 1 September 2025; check the platform’s current declaration and labelling workflow for the material you publish. Keep applicable visible labels and metadata, declare AI use accurately and verify any additional requirements for the content type, such as a micro-drama, advertisement or sponsored post. MCN participation does not automatically complete platform filing or publication permission. Confirm the actual operating entity and account permissions before promising a release.

Identify whose voice or likeness appears and keep the relevant written permission and source-material rights in the project’s rights file. Specify whether permission covers synthesis, editing, promotion, public screening and commercial distribution; a general appearance release may not answer all of those questions. Where consent or authority is missing or disputed, resolve it before presenting the work as rights-cleared. Be especially careful about sensitive uses and onward reuse by buyers. A generated image, festival acceptance or INDEX record does not supply a person’s consent. Applicable personality, privacy and copyright rules depend on the jurisdiction.

Each work needs its own entry, submitted version and applicable fee. One authorised representative may manage several works, with distinct credits, permissions and confirmations. For one Silver achievement demonstrated by several films, name a principal associated work and consolidate evidence rather than entering the same achievement repeatedly. Contact info@hkaiiff.org if a platform issue prevents multiple entries.

There are seven awards: the Golden Unicorn Grand Prix; Silver Unicorn awards for Creative Method, Digital Character and Worldbuilding; and Unicorn awards for Narrative, Audiovisual and Experiential Innovation. Use one work entry and add specific evidence for the Silver achievements you submit. Applicable awards for the same work carry no extra award application fee and do not require four INDEX purchases.

Trophies, certificates, compute and other support, including their conditions, are governed by this edition’s subsequent official announcements or written confirmation. Resource amounts on the 2026 pages do not automatically apply to 2027, and resource face values are not redeemable cash. Do not treat unannounced support as assured income.

Eligibility and material checks precede professional evaluation. A works panel evaluates the Grand Prix and three expression awards; a creative-achievements panel evaluates the three Silver awards. Jurors view or experience the complete object and examine the evidence needed for its claims. Five descriptive levels organise observations, reasons and outstanding questions. They are not mechanically added or subjected to undisclosed weights. Deliberation and voting follow the rules. Each award has at most one recipient object and may remain vacant; joint contributors can share credit. The Grand Prix requires at least five conflict-free jurors who have completed the review and support from at least two thirds. Other awards require at least three jurors and a majority. Qualified substitutes complete the review if recusals reduce the quorum. Public award announcements include publishable jury reasons.

Conductor Theory is the evaluation theory proposed in the AI Film Industry Whitepaper 2026: as an orchestra conductor need not play every instrument, the creator's core value in the AI era lies in setting intent, exercising aesthetic judgment and orchestrating human-AI collaboration.

Each public index.film record supports six structured endpoints: index.json, schema.jsonld, manifest.json, credential.json, rights.json and actions.json. They describe the record, version, credential, rights intent and supported actions. Published INDEX ASK answers, when available, are included in index.json; ask.json and keywords.json are not separate supported endpoints.

A record can be updated (a new version with a new hash, subject to review) and can be revoked. The Root ID never changes once issued; a revoked record keeps a traceable history and shows its revoked status publicly.

IAISA (International AI Audiovisual Asset Indexing Standards Alliance) maintains the IXF Standard as the INDEX registry authority; HKAIIFF Index provides the registration service channel built on that standard.

On 2026-08-11 the Association announced that first-batch partners had completed transactions for 101 AI-native and related works with a cumulative value above US$12M. That is a published aggregate: the implied average of about US$118,800 per title is an analytical ratio, not a per-title price, and counterparties and contract details are not disclosed.

Not the same thing, but interconnected. Index Market is the permissioned online discovery and request layer for indexed assets — not an e-commerce store. The Hong Kong AI Film Market is the Association's year-round industry service for matchmaking and transactions, with festival week as its concentrated activity period. Index Market →

Three representative work links, your main accounts and the past 90 days of updates, your creative direction and contribution, a note on materials and AI tools, and a 30-day plan. Send to mcn@hkaiiff.org (subject: creator application + name / account) or use the application entry on the programme page; replies within about 7 days.

The festival's creator support programme for discovering AI-native cinema in cities: a 72-hour on-site sprint plus 7 days of online refinement across six tracks at each city station. City winners earn the HKAIIFF City Selection Seat — eleven concrete benefits, not a cash prize. Participation in the on-site sprint is free; anyone over 18 may join, solo or in a team of 1–5. How the hackathon works →

The HKAIIFF Amazonia Program, announced 20 July 2026, is the festival's partnership program — an ecosystem as symbiotic and abundant as the Amazon rainforest — open to copyright platforms, distributors, financing institutions, AI technology companies, production companies, academic institutions and city organisations, covering index integration, market collaboration, city-station hosting and talent development. It is the festival's overall partnership programme; hosting a hackathon city station, joining as a partner or sponsor in one of six tiers, and serving as a city jury member or mentor are all routes into that one programme. No partnership tier influences jury decisions, and standards are not for sale. Partnership overview →

The three Silver awards assess methods, digital characters and worlds, not film placements. The achievement must be demonstrated in an eligible work submitted to this edition; that film need not first be shortlisted for the main competition. Existing achievements must identify the submitted version and distinguish earlier from new contributions.

Individuals, teams, studios, institutions and authorised representatives may apply. One person can hold multiple roles and several people can share a role. A company, a complete conventional crew or an account for every contributor is not required. Identify the human creative leads, actual contributions and accurate public credits.

The three Silver awards assess methods, digital characters and worlds, not film placements. The achievement must be demonstrated in an eligible work submitted to this edition; that film need not first be shortlisted for the main competition. Existing achievements must identify the submitted version and distinguish earlier from new contributions. Reuse the film’s contributors, tools and sources; add the achievement’s name, scope, version, specific contributions and evidence. If several films demonstrate the same achievement, identify one principal associated work and consolidate evidence. Using a general-purpose model or tool does not by itself make that model or tool a candidate.

Formats are not ranked. The Grand Prix evaluates the complete work’s achievement across fixed, interactive and generative forms. Characters need not converse live and worlds need not use a game engine. Interactivity, realism, runtime, equipment cost and commercial potential are not substitutes for artistic value.

Provide a runnable version and experience scope, required tools or dependencies, operating conditions, suggested path, stopping conditions and reset instructions. Jurors may explore independently and repeat tests. Disclose known variability and failure boundaries. A recording may supplement access but an edited trailer does not replace the complete dynamic work.

Open source or full public disclosure is not required. Explain the achievement, human control and assessable claims, and request restricted review, redacted evidence or a controlled demonstration for confidential parts. Jurors still need enough evidence to assess central claims. Confidentiality does not replace verification or authorise disclosure of a third party’s material.

The necessary review permission covers eligibility checks, judging, technical testing and application processing. Public screening, promotional excerpts, public INDEX records and commercial cooperation require separate confirmation. Declining optional publicity or market cooperation does not affect professional evaluation.

You may reference an existing INDEX record you are authorised to use and confirm its version. If direct import is unavailable, include its link in the materials. Buying INDEX is not required. Entry, nomination and awards do not transfer existing rights or guarantee distribution, transactions or income.

You may request withdrawal in writing. Before eligibility review starts, the organiser’s entry fee is refunded; after review begins it is generally non-refundable, with corrections for duplicate charges, errors or unavailable services under the terms. Explain any replacement version and its changes. A playback repair must not silently introduce material changes. See the Entry Terms for the full conditions.

A written procedural review request may be submitted within fourteen calendar days of the relevant decision notice or results, with evidence of eligibility errors, unresolved conflicts, use of the wrong version or substantial procedural departures. Later-discovered evidence may be explained separately. Artistic disagreement alone is not a procedural review ground.

Institutions may help prepare several works, but each has its own entry, authorised representative, credits and permissions. Use the partnership route to discuss workshops, public talks, creator support, venues or tool resources with a specific brief. In your first enquiry, provide the organisation, location, contact, objectives, resources, delivery team and expected timing. Brand use, official hosting, costs, data access and deliverables must be agreed in writing. An enquiry does not confer official status.

The 2027 Unicorn Awards are tool-neutral. Support scope, capacity and delivery may be agreed separately, but a brand cannot become a main competition entry condition, scoring advantage or requirement for an award. Any separate workshop or tool activity must state its own conditions and must not be presented as a festival award.

Permissions depend on the specific use. Festival review permission does not grant partners public screening or personal-data rights. Provide the proposed works, venue, timing, audience, charges and publicity plan so the authorised parties can confirm permission. Private contact details are not a partnership benefit; the official team can facilitate appropriate introductions.

Use the 2027 hub, official seven award names and document centre. Keep the year on 2026 award names and film images; do not imply they are 2027 results. Use published press-room assets within their stated scope and confirm other uses of film stills, excerpts or third-party marks separately. Link reporting to the specific official page, not only the homepage.

Yes, if your team devised or substantially improved the method and demonstrates it in an eligible submitted work. Using a general-purpose tool is not itself the achievement. Open source is not required; central claims must be verifiable under reasonable confidentiality.

Provide the associated eligible work, a method explanation, input/output comparisons, key human decisions and one representative repeat test. Claims of speed, cost or quality improvement need comparable baselines and conditions. Repeatability means achieving the creative goal, not necessarily identical pixels.

No. A character in a fixed film can qualify. The award considers identity, behaviour, emotional range and continuity across situations. Real-time conversation, trademark registration, valuation, followers and licensing deals do not determine its artistic achievement.

Provide the character definition, actual performances in at least two different situations, their locations in the submitted work, and principal creative, performance and revision contributions. Both situations may come from the same film. Credit actual design, performance, voice and generation-control work, including shared roles; disclose the basis for using a real person’s likeness or voice.

Yes. A fixed film can demonstrate a coherent world. There is no minimum map size, required game engine or interactive feature. The award considers how rules, relationships and consequences support stories and experience, not simply the number of locations or attractive backgrounds.

A world bible cannot replace what is realised in the work. Provide a world overview, principal rules, at least two realised situations and their locations in the submitted work. Claims of extension need new situations, actual tests or other specific, verifiable implementation material. Explain versions, dependencies and limits.